Barricade Insulated Subfloor Tile - Laminate Floor Oak


Composite floor panel - Wooden floor pattern

Composite Floor Panel

composite floor panel

  • complex: a conceptual whole made up of complicated and related parts; "the complex of shopping malls, houses, and roads created a new town"

  • consisting of separate interconnected parts

  • Combine (two or more images) to make a single picture, esp. electronically

  • Amalgamate (two or more similar resolutions)

  • considered the most highly evolved dicotyledonous plants, characterized by florets arranged in dense heads that resemble single flowers

  • All the rooms or areas on the same level of a building; a story

  • The lower surface of a room, on which one may walk

  • A level area or space used or designed for a particular activity

  • the inside lower horizontal surface (as of a room, hallway, tent, or other structure); "they needed rugs to cover the bare floors"; "we spread our sleeping bags on the dry floor of the tent"

  • a structure consisting of a room or set of rooms at a single position along a vertical scale; "what level is the office on?"

  • shock: surprise greatly; knock someone's socks off; "I was floored when I heard that I was promoted"

  • A flat board on which instruments or controls are fixed

  • A thin piece of metal forming part of the outer shell of a vehicle

  • sheet that forms a distinct (usually flat and rectangular) section or component of something

  • empanel: select from a list; "empanel prospective jurors"

  • A thin, typically rectangular piece of wood or glass forming or set into the surface of a door, wall, or ceiling

  • decorate with panels; "panel the walls with wood"

composite floor panel - Nexxt by

Nexxt by Linea Bota Triple-Panel Floor Screen, Black and Taupe

Nexxt by Linea Bota Triple-Panel Floor Screen, Black and Taupe

Vibrant triple panel floor screen with a floral design in black and taupe screened on white stretched canvas. It's free standing and comes completely assembled. Overall dimensions when opened are 48 " x 71" x 1".

Perfect for studio apartments, lofts, and open floor plans, Nexxt by Linea's Bota triple-panel floor screen divides a room while adding a unique artistic accent. The freestanding screen is constructed of white stretched canvas with a modern silk-screened botanical print of tree branches, flowers, and birds in burnt black and taupe. The layered, silhouetted images are sleek and modern in style, and they provide interesting depth and dimension in any space. The screen comes fully assembled and measures 48 inches wide by 71 inches high by 1 inch deep when open. Also available in burnt red and taupe. --Kara Karll

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Burford, The Priory

Burford, The Priory

Gentleman's mansion house, on site of a small Augustinian Hospital. c.1200 and late 16th century, remodelled and extended mid C17 by William (Speaker) Lenthall, and altered again after 1808 when it was greatly reduced in size. Ashlar and dressed rubble, Cotswold stone roofs. Largely Jacobean with fragmentary C13 and c.1580 elements. Roughly U- plan. Three storeys and attic. Outer gables with steps and cut finials, ; central fluted-fan panel with finials, flanked by set-back, paired diagonal-shaft chimneys. Mullion windows, very long on 1st floor. 3 storey outer bays with crenellations (1580s, moved from S.front - see scars - in mid-cl7). Central swagger porch with Corinthian ground floor and Composite 1st floor; panels, atlantes, strapwork and 'shield', arched doorway. South side: mid-C17 six-bay long gallery wing in freestone with arched-architraves, scroll keys and panelled pilasters to 1st floor windows, bulls-eye windows below, cornice and parapet, weathered verges, ashlar chimney. C18 extension, irregular 11/2 and 2 storey wing, restored 1923, one cross-mullion window to 1st floor right, a Serliana loggia to right of centre with shaped gable over, 4 hipped dormers to left. Rear of house; irregular, dominated by taller stair block with two arched windows (mid-C18); U-plan ranges, South wing restored by Horniman with elements of Cotswold style and Voyseyish detail. The interior: 3 C13 (early) arches and piers re-instated in entrance hall which has a C17 fire-place. Early- mid C18 staircase with 3 barley-sugar balusters per tread, fluted Corinthian newels, enriched plaster ceiling with high relief rose and pendant. On 1st floor, the 'ball-room' (present chapel) has wide-rib enriched plaster ceiling with pedants; large fire-place with 3 spiral pairs of palmette-Ionic columns, broken segmental pediment and overmantel carving in the same spirit as the Harman memorial in the Parish Church (q.v.) however with the Lenthall arms and grey-hound crest; excellent pine panelling. The spine wall at rear of front block is basically mediaeval. History The Hospital of St John the Evangelist was 1st recorded in 1226 and was quite small. In 1543, it was granted to Edmund Harman, one of Henry VIII's barber-surgeons, who seems to have built a mansion here. The Priory was next acquired by Sir Lawrence Tanfield, later Lord Chief Baron of the Exchequer (as Lord of the Manor of Burford, very unpopular for reducing the power of the burgesses); he entertained James I here in 1603, and altered it. William (Speaker) Lenthall bought The Priory in 1637 and died in 1662 having extended and remodelled it. Charles II dined here in 1681 en route to the Burford Races. After a chequered history including the amputation of outer wings and flattening of the facade in early C19, The Priory was saved from complete dereliction in 1908 by Col de Sales de la Terriere whose work was continued by Emslie John Horniman, who bought it in 1912. It is now the Convent of The Community of the Salutation of Our Lady (Anglican Benedictine), enclosed order, hence the elegant half- moon yew screen to entrance. Despite alterations, a good example of a mid-C17 gentleman's house... IOE

Composite Window

Composite Window

Window at the Sacred Heart Roman Catholic church in Bilton, Warwickshire.

This composite panel was made up of 'leftover' pieces of one of the former side windows of the nave, displaced when the church was extended in 1990. Other parts have been incorporated into windows two similar windows nearby.

Originally built in 1958 on a traditional plan with an oblong nave and chancel in one chamber, the church was dramatically re-organised and extended in the early 1990s under the guidance of Fr Paul Chamberlain, wherein the axis of the church was re-orientated by 90 degrees with a centralised granite block altar in what was the heart of the old nave. The 'south' nave wall was removed to allow an extended aisle and ambulatory on this side. The former main entrance narthex was blocked up to create what is now the Blessed Sacrament chapel.

One of the most dramatic innovations in the re-ordered church is the full immersion fount, a cruciform marble pool set into the floor before the altar, evoking the earliest method of Christian Baptism by immersion in the River Jordan.

The two main stained glass windows on either side of the old nave were removed and re-sited in truncated form in the new extension, and in the place of the northern one a large crucifix (painted by Fr Chamberlain) has been set up as a focus behind the new altar. The six high windows on this wall are the latest addition to the church and are my own work from 1999.

composite floor panel

composite floor panel

Toshiba 57H83 57-Inch HDTV-Ready TheaterWide Projection TV

N/A Product Description Note: Toshiba 57H83 57" HDTV-Ready TheaterWide Projection TV is no longer being manufactured. You may want to consider purchasing the newer Toshiba 57H84 57" HD-Ready Rear-Projection TV with HDMI Input instead.
Blazing forth with its huge screen, high style, and bountiful high-tech features, Toshiba's 57H83 TheaterWide HDTV projection monitor is set to render vivid, smooth, and detailed video signals from DVD players, digital TV set-top boxes, digital satellite systems, cable television boxes--you name it. The set's TruView feature combines several enhancements (Black Level Expansion, Fine White, Flesh Tone Correction, and Color Detail Enhancer) to automatically display accurate picture and color details. Also automated, HD Dynamic Contrast continually analyzes picture information and sharpens and deepens those parts of the picture with the most detailed information.
The Benefits of HDTV

Standard TVs (SDTVs) display a maximum of 480 lines using the interlaced scan method, which creates a picture with alternating lines of information.

Enhanced-definition TVs (EDTVs) display a maximum of 480 lines using the progressive-scan method, which creates an image using consecutive lines of information for a crisp, flicker-free picture.

High-definition TVs (HDTVs) display a maximum of either 1,080 interlaced lines or 720 progressively scanned lines for the sharpest possible image.

And since not everything you watch will be high-definition in origin (wouldn't that be nice), CrystalScan HDSC upconverts all video signals (including 480i/p) to 1080i HD. This significantly reduces jagged-line artifacts for a smoother, more natural image. (Selectable 540p, for those who want a progressive-scan image from a progressive-scan source, is available through the onscreen menu.) CableClear DNR+ Digital Noise Reduction circuitry optimizes poor NTSC signals from antenna or cable by eliminating video noise (snow).
Meanwhile, DFine high-speed velocity-scan modulation improves the definition at picture edges, creating sharper images by slowing the CRT (cathode-ray tube) beam's horizontal scanning during demanding work--say, when rendering transitions from light to dark parts of an image--and speeding it up when scanning easily rendered sections, like broad dark areas.
A 3D Y/C (4 MB, 10-bit) digital comb filter with Vertical Contour Correction processes RF and composite-video signals for a sharp, clean picture. This advanced filter significantly reduces detail noise, seen as shimmering or flicker, in complex or intricate scenes. The TouchFocus digital convergence system creates perfect corner-to-corner focus at the press of a button. Cinema Mode (3:2 pulldown) circuitry identifies film-based content from DVDs and reassembles the frame sequence to more accurately reproduce a movie's original 24-frame rate. This process eliminates artifacts and provides sharp, accurate full-frame progressive images.
Finally, the set's TheaterFine HD super fine-pitch screen uses a .52 mm design to reduce the space between lines on the lenticular screen, thereby sharpening the image. With convenient direct video input selection, you can choose specific inputs right from the remote's numbered keypad--no more scrolling through all the inputs to find the one you want.

The 57H83's arsenal of connections includes a DVI input for an HDTV receiver.
For audio, the 57H83 offers SRS WOW, combining SRS 3D (which creates a wide three-dimensional sound field), TruBass (which boosts bass frequency perception for dramatic low-frequency effects), and Focus (which raises the perceived sound image vertically to clarify voices) to greatly enhance home-theater sound. StableSound maintains television volume within a preset range regardless of the source signal, and Toshiba's Sub Bass System (SBS) boosts a program's low-end audio for heightened dramatic impact.
The 57H83 is loaded with connections of all stripes, including a DVI HDTV input, which gives you a pure, uncompressed video connection with your DTV receiver or set-top box (not included). The supplied Illuminated Universal Remote also controls most manufacturers' VCRs and DVD Players, and the set's split cabinet design allows the cabinet to be split in two for ease of delivery and installation.
What's in the Box
TV, cabinet (which splits into two sections for easy delivery and installation), remote control, batteries, user's manual, warranty information.

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Floor Buffer Parts. Flooring Il

Floor Buffer Parts

floor buffer parts

  • (part) separate: go one's own way; move apart; "The friends separated after the party"

  • (part) something determined in relation to something that includes it; "he wanted to feel a part of something bigger than himself"; "I read a portion of the manuscript"; "the smaller component is hard to reach"; "the animal constituent of plankton"

  • Cause to divide or move apart, leaving a central space

  • (of two things) Move away from each other

  • the local environment; "he hasn't been seen around these parts in years"

  • Divide to leave a central space

floor buffer parts - Bosch 3727DEVS

Bosch 3727DEVS 3.3 Amp 6-Inch Hook-and-Loop Random-Orbit Variable-Speed Sander/Polisher with Dust Canister

Bosch 3727DEVS 3.3 Amp 6-Inch Hook-and-Loop Random-Orbit Variable-Speed Sander/Polisher with Dust Canister

Backed by a powerful 3.3-amp motor, the Bosch 3727DEVS Random-Orbit Variable-Speed Sander/Polisher makes quick work of sanding, stripping, and polishing jobs. Thanks to Bosch's enhanced random-orbit sanding action, you can count on the 3727DEVS to deliver a clean, swirl-free finish every time. This multipurpose sander uses standard, six-inch hook and loop disks that are easy to change, and it includes a dust canister to protect your lungs and keep your workshop clean.

The Bosch 3727DEVS Random
Orbit Variable Speed Sander/Polisher includes:
Microfilter dust canister (RS026)
Soft backing pad (RS6045)
Removable front handle
5-millimeter hex pad wrench
Sanding disk

A microfilter dust canister keeps potentially harmful particles out of the air. View larger.

Bosch's enhanced random-orbit sanding action and trademarked Constant Response Circuitry safeguard your work surface. View larger.
Enhanced Random-Orbit Sanding Action for a Clean Finish
Whether you're stripping old furniture or prepping new molding for installation, the 3727DEVS delivers aggressive stock removal and a clean, swirl-free finish. Free rotation and a 5/32-inch eccentric orbit diameter (5/64-inch offset) allow the sander's pad to duplicate a natural, hand-sanding action and ensuring that abrasive material never follows the same path twice. This enhanced random-orbit action combines with Bosch's unique integral pad dampening system to keep your workpieces free of swirl marks.
Versatile, Powerful 3.3-Amp Motor for Fast, Smooth Results
The 3727DEVS's 3.3-amp motor provides the power you need to remove stock quickly and efficiently, making fast work of difficult jobs. Bosch's trademarked Constant Response Circuitry maintains constant motor speed no matter how tough the job, providing overload protection and delivering a reduced-torque soft start that safeguards your work surface.
A variable-speed dial lets you adjust from 4,500 to 12,000 OPM for job-specific performance. The 3727DEVS's microcellular backing pad contours for a smooth, fine finish on all types of surfaces.
Since the 3727DEVS uses industry-standard six-hole, six-inch hook and loop disks, you never have to waste time searching for expensive, proprietary abrasive disks, and you never have to deal with messy adhesives.
Ergonomic, Long-Life Design for Extended Use
With a tapered, soft-grip top and ergonomic front and rear handles, the 3727DEVS offers multiple grip positions to help prevent user fatigue. The front handle can be removed easily for sanding in tight spots, and the conveniently placed trigger features a lock-on button for comfort and control during extended periods of use.
The 3727DEVS also features rugged, die-cast aluminum gear housing and an exclusive dual-bearing pad mount that eliminates wobble and vibration, extending the life of your tool and improving your comfort.
Dust Canister for Safety and Convenience
The included Bosch microfilter dust canister with integrated paper filter provides an optimal system for filtering fine dust. The canister traps particles as small as a 1/2 micron in diameter, and it reduces your exposure to potentially harmful particles by collecting more dust than other leading brands.
The compact Bosch 3727DEVS weighs just 5.2 pounds. It is backed by a one-year warranty, 30-day money-back guarantee, and one-year service protection plan.
What's in the Box
Bosch 3727DEVS Random-Orbit Variable-Speed Sander/Polisher, microfilter dust canister (RS026), soft backing pad (RS6045), removable front handle, 5-millimeter hex pad wrench, and sanding disk.

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Friday, September 17, 2010.
I saw a picture of a whales eye a day or two ago but now I've forgotten where. I think they're fairly common, though, there must be other people who see the uncanny intelligence in pigs eyes and those of whales.
pig's eye reincarnation female child male child (They've disabled the control f function. I don't know what it's called. It's the one that allows me to search this draft window, for instance. I think I'll try to shut the computer down. They won't let it go back to default----I think they must have moved control v to control f so that it copied the text I had in the memory buffer into the control f window instead of just opening the window. I just went back and dragged the text in the window and copied it into the memory buffer and now the control f function works. I guess on Apple, it's "command" x.

Every morning as I start the skier and other gargoyles comment as I bring up the windows I need and begin to type in the text and so on. They generally make throat sounds like coughs and clears but there is one that makes inaudible vocalizations on a consistent basis from day to day. Today I decided to stand and see which one it was. I was surprised to see that it was---or at least that it was him I decided on since there is no way of knowing if I'm correct or not---the William Burroughs. He was just sitting in a place from which I thought the sound came. I think most of the other gargoyles were pretty new ones. The male with the salt and pepper hair pulled back in a slightly disreputable looking pony tail is here but the rest were sort of middle aged looking men who seemed to be posing with a catbird smile as I walked by. Of course, I never look very closely and am usually to stressed out to really see what I see. They seem to be getting more cruel every day. When I got back and started to copy these last 3 pictures the William Burroughs came and moved all his things---he has considerable baggage including that large dolly type suitcase and a backpack---and sat behind, then move and is sitting 1 carrel over to my right. I've never really looked at him of course but as he sat down, the thought occurred to me that he's a Jamie Morris. Anyway, he made sounds in his throat and the skier or one of the others cough in what seemed to me to be a reply. He's been quiet now through these last sentences as have the rest of them. "Nick" cruised me twice this morning. Once as I left my house and once as I waited for the bus. As I was leaving my house, I saw a mountain bike coming down 21st so. on the wrong side of the street steering eraticaly in a way that made me think the byciclist was trying to gain my attention. I turned back in order to avoid any interaction with him. (I turned into the Expresso parking lot.) but as I did, I realized it must be "Nick" and knew that he would take revenge on me for trying to avoid him and so I thought about turning around and taking up my original route but that would have been too strange or something so I just made a circuit around the Expresso and he was gone by the time I got back. He had crossed the street and was on the sidewalk part way between 5th and 6th E. I think he was responding to yesterday when cruised me as I waited for a bus. He yelled some kind of greeting at me and instead of vocalizing a response, I nodded. The thought occurred to me that he said something cruel and threatening to me in his mind and under his breath. He gets quite elaborate with revenge vignettes at times and often involves all the backpack males in them. I forgot about a "beaver shot" they gave me yesterday. I was going to write it up at the time but I was working on recording the reading they're having me do. As I've said, they nearly always give me problems when I go to use the restroom---the William Burroughs just greeted a young middle-aged male who has been harassing me for several months. He always sits upstairs, though. I don't think I've ever seen him in the "guest section". I've always thought he has taken the place of the sleeper I've described who tormented me for many years---and this time I went without too much trouble but when I decided to go back and get some water, three 3 main day janitor antagonists crossed my path in a way that made me feel I was being attacked in the subtle way they do. On the first trip to urinate, I noticed a group of student age males and females sitting in the foyer area east of the restroom lobby and I was surprised when they didn't seem to have any awareness of me as I passed. This time, on my way back from getting water, after the 3 day janitors had passed I noticed that one of the student aged females was sitting with ankle crossed over the opposite knee in a way that exposed the inside of her upper thighs. She was staring at or maybe she just looked intently at me for a moment and thought about looking to see if she were exposing her panties but I didn't want to beca

New York Magazine (Art) - See Here Now

New York Magazine (Art) - See Here Now

SOURCE: New York Magazine
TITLE: See Here Now
Three art-rich neighborhoods, 25 new galleries.
DATE: Oct 4, 2009
AUTHOR: Rachel Wolff
MAP BY: Jason Lee

Every gallery here has opened since the start of 2008, and all are exhibiting art that’s startling, affecting, or just plain fun. Since most (though not all) of them show emerging artists, the barriers to buying—financial and otherwise—are low. If you like what you see, you just may be able to take it home.


Jonathan VanDyke at Scaramouche.
(Photo: Courtesy of Scaramouche, NY)
1. Scaramouche
53 Stanton St.; 212-228-2229
Stand back! This little gallery’s first fall opens with Jonathan VanDyke’s minimalist sculptures rigged to spurt out brightly colored paint (through November 1).

2. *Sue Scott
1 Rivington St., second fl. 212-358-8767
Scott’s sizable space, known for group shows and curatorial projects, is presenting an installation by Franklin Evans, who has transformed the gallery into a weird riff on his own studio (through October 24).

*= Jerry Saltz Recommends
3. Nicelle Beauchene
163 Eldridge St. 212-375-8043
Beauchene—who represents a nice mix of emerging and emerged artists—is showing Brooklynite Rachel Foullon’s wall-mounted sculptures of cedar and stained fabric, evoking the textures and details of life in rural America.

4. *Rachel Uffner
47 Orchard St.; 212-274-0064
Uffner’s September opening for Sara Greenberger Rafferty—who’s showing her murky manipulated portraits of seventies comedians through October 25—was packed to the rafters. A definite up-and-comer.

Saltz's Fall Gallery Tour
5. *Lisa Cooley Fine Art
34 Orchard St. 212-680-0564
Cooley represents a small crop of eclectic (and critically well-received) artists, and with the exception of a Texan and one West Coaster, all are local. Up now: a two-man show by painters Jon Pestoni and Zak Prekop (through October 18).

6. Collette Blanchard
26 Clinton St.; 917-639-3912
Blanchard made a splash last October with “Belle du Jour” (images of the female figure as imagined by E.?V. Day, Mickalene Thomas, Shinique Smith, and others). Feminism is on the roster this fall, too, with Nancy Friedemann’s unexpectedly dramatic enamel paintings of lace and embroidery—a confluence of traditionally male and female media (through October 26).

7. Satori
164 Stanton St.; 646-896-1075
Like Blanchard, Satori is farther east than most local spaces, and both are worth the trek. This month, see one of the area’s few sculpture shows: Benjamin S. Jones’s wooden models inspired by not-so-stable urban architecture and planning (through October 18).

Lilla LoCurto at Sloan Fine Art.
(Photo: Courtesy of the artist and Sloan Fine Art Gallery)
8. Sloan Fine Art
128 Rivington St. 212-477-1140
Alix Sloan worked as a private art dealer in Los Angeles before opening here in 2008. In November, look for a series of anthropomorphic digital animations and prints by Lilla LoCurto and Bill Outcault, which look like high-tech medical illustrations run amok.

9. *X Initiative
548 W. 22nd St.; 917-697-4886
A one-year project in the old Dia space, this is a not-for-profit spearheaded by dealer Elizabeth Dee. Phase two of its three-part season is on view through the end of this month. In addition to seeing the three artists within the building, don’t miss the roof installation made of swimming-pool noodles.

10. *Horton & Liu
504 W. 22nd St.; 212-243-2663
This gallery specializes in painting and is located on the parlor floor of a Chelsea brownstone, giving it the pre-white-cube vibe of an earlier age. It debuted in September with a show of brightly colored, densely structured, faintly Cubist paintings by Michael Berryhill (through October 10).

11. *David Zwirner
524 W. 19th St.; 212-517-8677
Mega-dealer David Zwirner—who’s showing Chris Ofili and Raoul De Keyser across the street through October 24—will open his fourth Chelsea storefront early next year, expanding his retail space to an immense 40,000 square feet. The new building, a.k.a. Shigeru Ban’s Metal Shutter Houses, is almost an exhibit itself.

Joe Fig at Hendershot Gallery.
(Photo: Courtesy of the artist and Hendershot Gallery)
12. Hendershot Gallery
547 W. 27th St., Ste. 632 212-239-3085
James Hendershot represents commercial as well as fine-arts photographers, giving him a cash buffer in tricky times. He also reps a wide range of up-and-comers like Joe Fig, whose witty paintings and sculptures of artists’ studios—reproducing in micro-detail the worktable of, say, Ross Bleckner or Chuck Close—go on view October 15.

13. Slag
531 W. 25th St.; 212-967-9818
A passion project from Romanian-born collector Irina Protopopescu, Slag (named, symbolically, for the unwanted but recyclable by-product of ore smelting) opened last summer to showcase Eastern European artists. Right now, she’s hosting Romanian artist Mircea Suciu, whose bleak paintings look like fifties ads stripped of all their chipper optimism.

Kenji Hirata

floor buffer parts

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Floor Cutter - Floor For Bathroom - Ash Wood Flooring.

Floor Cutter

floor cutter

  • someone whose work is cutting (as e.g. cutting cloth for garments)

  • stonecutter: someone who cuts or carves stone

  • A tool for cutting something, esp. one intended for cutting a particular thing or for producing a particular shape

  • A person or thing that cuts something, in particular

  • A person who cuts or edits movies

  • tender: a boat for communication between ship and shore

  • The lower surface of a room, on which one may walk

  • the inside lower horizontal surface (as of a room, hallway, tent, or other structure); "they needed rugs to cover the bare floors"; "we spread our sleeping bags on the dry floor of the tent"

  • shock: surprise greatly; knock someone's socks off; "I was floored when I heard that I was promoted"

  • All the rooms or areas on the same level of a building; a story

  • A level area or space used or designed for a particular activity

  • a structure consisting of a room or set of rooms at a single position along a vertical scale; "what level is the office on?"

floor cutter - IIT 80372

IIT 80372 Multi-Function Tool Scraper & Cutter Set - 3 Piece

IIT 80372 Multi-Function Tool Scraper & Cutter Set - 3 Piece

Great for cutting in tight spaces that other saws can't reach, this 3-Piece Cutting Blade Set is made of sturdy high-carbon steel and features (3) different blades. Included in the package are (1) 1-1/4 cutting blade, (1) 2" rigid angled scraper and (1) 2" flexible straight scraper. They are ideal for making straight cuts in non-metal materials such as plywood, particle board, hardwoods, plastics and fiberglass, as well as for removing hard materials like adhesives, paint, varnish, veneer and carpet. For IIT Model #56800 an 56850 tools.

79% (5)

Flooring at the Bellagio

Flooring at the Bellagio

I would love to have a tiled floor like this.

As in, once I've got an occasion to lay tile, you can bet that I'll spend hours and hours with the tile cutter making the perfect tile pattern, driving my poor wife and any other household residents go nuts.

CNC Plasma Cutter

CNC Plasma Cutter

Greg using the hammer drill to mount the rails to the floor.

floor cutter

floor cutter

Electric Floor Model Machine W/ Power Feed, 75'X3/4" Cable & Cutter Set

General Pipe Cleaners Electric Floor Model Machine w/ Power Feed, 75'x3/4" Cable ; Cutter Set The Speedrooter 92 has root cutting power plus the ability to do small drain work. For smaller lines, you switch to a drum that holds 1/2" cable (available separately), a job that takes less than a minute. Just loosen three knobs, swing the motor to the side, and lift off the drum. The power cable feed drives 3/4", 5/8", and 1/2" cables and has the pulling power to get your cable out of the line even on long, tough jobs. To adjust for 3/4" or 5/8" cables, you simply turn the knob on top of the feed. The screwdriver stays in the tool box. Getting to and from the job is easier because the Speedrooter 92 has big ten-inch wheels, V-belt stair climbers to get up and down stairs easier, and a loading wheel mounted on the handle to help you lift the machine into a truck. This lean but tough machine can really take a beating, with extra bracing at key stress points. The drum is supported front and back for longer bearing wear and smoother operation. The large drum has a see-through inner cage, so that the operator quickly can tell how much cable is left in the drum. Standard equipment also includes a Ground Fault Circuit Interrupter and an "Off" position on the reverse switch, so the machine won't start if the pedal is pressed accidentally. 32.00 L. 28.75 W. 23.00 H.

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Miami wood flooring : Sea floor spread.

Miami Wood Flooring

miami wood flooring

    wood flooring
  • Wood flooring is any product manufactured from timber that is designed for use as flooring, either structural or aesthetic. Bamboo flooring is often considered a wood floor, although it is made from a grass (bamboo) rather than a timber.

  • Most often made from hardwoods like maple, pecan, beech, birch or oak.

  • Most wood flooring is made of hardwoods, such as oak, maple, pecan, beech and birch. There is solid wood flooring and laminated, which combines wood layered in different directions for strength and to inhibit warping.

  • a city and resort in southeastern Florida on Biscayne Bay; the best known city in Florida; a haven for retirees and a refuge for Cubans fleeing Castro

  • M.I.A.M.I. (Money Is A Major Issue) is the debut studio album by rapper Pitbull. The album was released on August 24, 2004, and peaked at number 14 on the U.S. Billboard 200 chart.

  • The dialect of Illinois (an Algonquian language) of this people

  • A member of an American Indian people formerly living mainly in Illinois, Indiana, and Wisconsin and more recently inhabiting areas of Ohio, Kansas, and Oklahoma

  • a member of the extinct Algonquian people formerly living in northern Indiana and southern Michigan

Apres l'amour... Miami Beach

Apres l'amour... Miami Beach

Carte d'art publiee par Pierre Marcel, reproduction de la peinture originale :
Acrylique sur toile, 30 x 40" (76 x 101cm)
Commande par Mme et Mr. Pickens, Pennsylvania, 1993
J'ai peins une scene qui me rappelle ce que l'on ressent apres avoir fait l'amour dans une chambre d'hotel a Miami Beach.

Moore Furniture Building Interior

Moore Furniture Building Interior

The top floor of the Moore Furniture building built in 1921. The building was renovated in 1997 and is now part of the Design District. It also has a permanent installation art exhibit in the central atrium named "Elastika" designed by Zaha Hadid Architects.

miami wood flooring

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Rubber Flooring Samples - Shed Mezzanine Floor

Rubber Flooring Samples

rubber flooring samples

  • A portion drawn from a population, the study of which is intended to lead to statistical estimates of the attributes of the whole population

  • A specimen taken for scientific testing or analysis

  • sample distribution: items selected at random from a population and used to test hypotheses about the population

  • (sample) a small part of something intended as representative of the whole

  • take a sample of; "Try these new crackers"; "Sample the regional dishes"

  • A small part or quantity intended to show what the whole is like



Kangerlussuaq means big fjord and the big fjord that runs from the airstrip to the sea is 90 miles long. Karen Filskov a native of Greenland joins us here as guide, the first time Cape Farewell has had an Inuit crewmember. The Grigoriy Mikheev was built in St Petersburg as a research vessel and now runs trips to the arctic from April to September and the Antarctic from October to February. Being designed as a research vessel it is perfect for this expedition as our itinerary is built around the research programme of the four scientist. The end of the fjord is quite shallow and we get to the ship 12 people at a time by zodiacs (rubber inflatable boats). On the strange blue of the fjord, caused, Carol the Oceanographer tell us, by the mineral content washed from the rocks, the white ship is suddenly lit by the sun breaking through; and we are laughing off the drenching from the spray thrown up by the skittering rubber boat.

Everyone is very friendly. Perhaps we will tire of each other eventually but the interleaving of small talk and impassioned discussions about climate change in this company makes time fly. The boat is comfortable, the food good the bar not bad either. Two or three of the company have been on previous Cape Farewell expeditions including Marcus Brigstock who is even funnier and sharper in person than on TV and radio and knowledgeable about climate change. In the slowly darkening night Teresa Elwes whose Bromley Trust supports human rights and climate change work and, Ruth Little who is the literary manager at the Royal Court Theatre, and I spend a long almost silent hour on the prow as the ship sails seaward along the fjord; silent because we are genuinely awestruck by what we are seeing. The dark symmetrical mountains either side, make a gigantic boat's hull shape, the fjord like its liquid keel; our boat sliding along inside another of unimaginable dimensions. The majesty of the peaks as they rise above us is so affecting that it is easy to think of them as beings; and ancient legends from a time before science make instant sense.

Saturday is the first full day of the expedition and half the morning is spent learning about the scientific experiments that will be carried out on the voyage. These will be some of northernmost measurements ever of ocean currents and of the mapping of the geology of the ocean floor. A device called a Argo Float will be released shortly to wander about for a couple of years transmitting data to help build a more accurate picture of the West Greenland Current. Last year one of these helped the study of the North Atlantic drift (the Gulf Stream in British coastal waters) whose behaviour will be crucial in deciding the future climate the UK and many other places. The science team is also measuring the salinity related to temperature and depth for a similar purpose. The ocean floor mapping provides data on historical climate conditions going back well over 50 million years, far longer than can be gathered from ice core samples. It is the most spectacular of the investigations and produces luminescent underwater flashes as a 3000 volt charges releases sound pulses whose reflections contain the information needed.

From our conversations it is evident that quickly sharing as much as possible the knowledge that individuals have gathered through their interest in climate change will increase the effectiveness of all our work. So Francesca Galzieri of Arup, Joe Smith of the Open University and I assemble and give a presentation called Building-Carbon-Politics. Almost everyone turns up. Not bad, having Laurie Anderson, Jarvis Cocker, KT Tunstall, Martha Wainwright and Marcus Brigstock at our first gig, all joining in a lively discussion.

Sunand Prasad

RubberToUpcycle (2)

RubberToUpcycle (2)

I'm posting these so that my more creative and crafty friends can take a look.

Can these little samples of rubber floor mats for commercial kitchens be useful to anyone?

If so, drop me a line privately and I'll see they get in the mail to you.

I keep envisioning some sort of bracelets using these as focal pieces...but not my sort of jewelry endeavor at all.

rubber flooring samples

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